This work reflects the unstable nature of collective memory through the visual language of decayed urban walls. Torn surfaces, fragmented advertisements, erased phrases and layered marks function as traces of messages that once carried meaning but have gradually deteriorated over time. The work moves between documentation and abstraction, where remnants of public imagery survive in altered and distorted forms.

The repeated acts of tearing, covering, erasing and layering mirror the erosion of memory itself. Symbols and texts appear partially visible, suspended between disappearance and persistence, suggesting how time continuously reshapes narratives, meanings and public consciousness. Rather than preserving memory, the wall becomes a fragile surface where histories fade, mutate and drift toward oblivion.

Untitled
Acrylic, spray paint, marker, paper and glue on canvas
90 × 90 cm
2024
From Oblivion series